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Posts with tag: "machinery"

Why should I use professional product photographer's service? Wouldn't be worth for myself to invest  in professional DSLR camera and good lens and take photos myself?

These are the questions that many clients are asking. My answer is: The photographer takes a picture, not a camera.

Keep in mind: Professional Product Photographer is a profession and this occupation is a full time job. Of course you can learn it just like anybody else, but would you do the same with all other professions? You want to fix the car - learn how to become car mechanic, fix your television - learn how to do it,  etc. In each case, you need the tools, knowledge and experience.

With all sophisticated equipment available on the market, measuring exposure will be done by the camera, but in PRO product photography you never set up camera in automatic mode. Professional cameras have been designed to be used in manual mode. It does have automatic mode too, but you'll be surprised what would the difference be between the photograph from point and shoot and pro camera. In many cases point and shoot photographs may look much better than pro.

Here is very common question the people ask me: What kind of camera should I buy to do good pictures? Again the best answer I come up with is comparison to the car purchase:

What kind of car should I buy to drive safely? Of course to some point sophisticated safety features of the car matter, but  main factor is still the driver. Same thing with paint brushes. Does purchasing brand name Rembrandt paint brushes make you a great painter?

In my next article I will explain you what are the most important factors in product photography that contribute to the perfect photograph.

If you have any questions - please contact me

Tuesday, September 27, 2016
By Photography by George
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How to use the day light in industrial product photography

Some objects need to be shot in day light.

My client had a few machines that he wished to be shot on the same day. Due to the sheer weight of these devices and on such short notice, it was impossible for the shooting to be done in the studio.

I had no choice but to rely on daylight to complete this assignment. I decided to shoot in the parking lot; but due to the weight of these heavy machines, I wasn’t able to be too selective in choosing the right spot.

Also, I was faced with an extremely complex lighting situation. It was late in the afternoon and the ambient lighting was totally dominated by the sun’s orange colour. This needed to be corrected, so I had to use grey cards to make the necessary colour adjustments.

If you need some advice how to approach that type of project, please let me know

Different colour reflections from surrounding buildings and objects can make shooting in such an environment even trickier. As such, I had to set up reflectors and large light diffusers to block off all colour reflections and fully rely on indirect, dispersed light.

Here is some camera set up information, just to give you a general idea:

Fully Manual Mode

RAW Format

Colour Space                                   Adobe RGB

Picture Style                                    Neutral

Mirror lockup                                    Enable

Self Timer                                        8sec

ISO Speed                                        320

Tv mode Shutter Speed                   1/20

Aperture value                                  13